The Marvel Cinematic Universe won early allegiance from skeptical fans by demonstrating a strong adherence to the widely-known depictions of Marvel comic book superheroes in terms of their characterization, costuming and aesthetic. That approach is one that the filmmaking side of the Marvel machinery has largely been reluctant to deviate from, since the first Iron Man was released in 2008.
Meanwhile, in the pages of Marvel Comics, the status quo has been in the midst of a broad upheaval for several years – one focused on telling fresh stories and bringing greater diversity to the Marvel Comics Universe and set to be driven even harder than ever by the fallout from Civil War II. This upheaval will reach into the Iron Man comics too, as Tony Stark ...
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